Joseph Bernard

Posting #26

Posted on January 16, 2021

An hour of silence permeates Amsterdam public television.

 

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Image: The Detroit Films (Reel #2)  1985

 

An hour of my (silent) super-8 films were recently broadcast on Dutch Public Television - a first in The Netherlands I’m told - and something not likely to happen in the U.S. The 12/31/2020 show was programed by founder of the zapruder art movement, filmmaker and host of The Screening Room, Ronald Bijleveld. I’m beholden to Ron for his efforts in organizing and directing the annual Atrabilious Amsterdam Experimental Film Festival and his support of my work.

I understand this 60-minute program will continue to be shown in rotation once a month throughout the year, and is also available online through Video On Demand. The following shared note contains a link to view the complete broadcast on the SALTO1 channel. 

> Dear Joseph

> i hope you are well and i wish you the very best  of the world in 2021. this is the link to the online version ,that  is normally watched around 190,000 times. and last night and was teh screening looked amazing iam trying to get it screened this night to, but it will be in carousel so every month 1 time on tv , the people who are connected are 3.7 million but we found out we got an take from around 200,000 people but maybe more now…

> Warm greetings from Amsterdam

> Ronald Bijleveld

> The zapruder art movement

 

Thank you again Ron, appreciate all the work you put into this!  -Joe

 

Posting #20

Posted on August 15, 2018

Solo at Rubicon Cinema

4th Season Opening at the Rubicon Cinema in Akron, OH - - My thanks to Tim Peyton & Gedas Gasparavicius

Film_still__crematoriumFilm still from "Crematorium: A Collaborative Self-Portrait", 1979

SEASON 4, EVENT 1

For a Season 4 opener, Rubicon Cinema is proud to present acclaimed filmmaker and visual artist JOSEPH BERNARD. The filmmaker will be present at the screening, introduce his work, and hold a Q&A.

Don't miss this unique opportunity!

When: Saturday, September 8, 8 pm

Where: Rubicon Cinema at the Blue Sky Studio, 943 Dopler Street, Akron OH 44303

 

JOSEPH BERNARD

Born in Port Chester, NY, Bernard was educated at the University of Hartford Art School and School of the Art Institute of Chicago, where he studied with Stan Brakhage. 

Now Professor Emeritus, Bernard taught fine arts at Detroit’s College for Creative Studies for 35 years. Experimental collage sensibilities are evident in his paintings, films and photographs. Contemporary poetry and music remain strong influences. His work is informed by travels to Provincetown, Southern California, Austin, Nashville and other locales. 

His films have been exhibited at Toronto’s Funnel Theatre, Detroit Institute of Arts, Chicago Filmmakers, Rutgers University, San Francisco Cinematheque, Ann Arbor Film Festival, Dartmouth College, Indiana University Cinema, Third Man Records in both Nashville & Detroit and NYC’s Museum of Modern Art, among others.

 

PROGRAM (prepared by J.B. for Rubicon Cinema)

Icon, digital transfer from Super 8 film, silent, color, 1978, 05:32 min

Exterior - Detroit snow storm; interior - intimate details of stencil letters through much single-frame shooting. Together they transition Bernard's painting tools and sensibilities into this early abstract film.

Crematorium: A Collaborative Self-Portrait, digital transfer from Super 8 film, silent, color, 1979, 08:16 min

Shot at a Bohemian crematorium outside Chicago, this ‘self-viewing at work’ film makes metaphoric reference to both the location and process of cremation as a ‘recording’ of the deed itself. 

Eye Reels, digital transfer from Super 8 film, silent, color, 1980, 16:17 min

An entangled meld of Celtic-flavored abstractions, home movies and an Irish dance fest, edited throughout with those very moves in mind. Fast shots and dense patterning echo those found in embroidery, lace, stone and metal work. They grow from the same language – in both calligraphy and sound. The tapestry-like interweave becomes the very fabric of this film.

Semblance: Frampton Brakhage Relation, digital transfer from Super 8 film, silent, color, 1981, 05:21 min

A simplistic analogy of obvious disparities of these two masters that the filmmaker concocted on the beach. A wonderful koan appears to join at mid-point.

Her Moves, digital transfer from Super 8 film, silent, color, b&w, 1985, 19:35 min

Interwoven footage of 12 female characters engaged in specific, physical activities – each filmed separately, throughout numerous east coast and Detroit locations, then edited into a collective dance of sorts. 

Full Circle (It’s Always Been Around), digital transfer from Super 8 film, silent, color, 1994, 14:56 min

Based on the title and a premise from Bernard's undergraduate thesis, this film is built on the experience of the first viewing of Brakhage’s Mothlight and the impact it had on the filmmaker. Tagged at the end with "4 SB," this film is an expression of sincere affection and regard. 

 

“To be an artist is not a matter of making paintings or objects at all. What we are dealing with is our state of consciousness and the shape of our perception.”

– Robert Irwin

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J.B. Q&A with audience and Rubicon Cinema Director, Tim Peyton. 

 

Bring your own beer, wine or snack.

Admission is free but we ask you to consider a $5-$10 donation.

Rubicon Cinema contact: rubiconakron@gmail.com

Facebook: https://www.facebook.com/rubiconakron

 

 

Posting #17

Posted on March 03, 2017

PRISMATIC MUSIC series of screenings closes in London

The final program of PRISMATIC MUSIC is scheduled for March 30, 2017 at CLOSE-UP FILM CENTRE in London, England. This show is under the auspices of Brand New Blinkers; co-founded by Jack Wormell and Andy Sowerby. 

 

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Over the past two years, these solo screenings have generated a positive response to the small, silent works in this Blu-ray collection. The scheduling and presentations have been uniquely curated for each venue with running times ranging between 70-90 minutes.

I’m grateful to the programmers in England, Spain and numerous American cities who’ve made these screenings possible.