Joseph Bernard

Posting #20

Posted on August 15, 2018

Solo at Rubicon Cinema

4th Season Opening at the Rubicon Cinema in Akron, OH - - My thanks to Tim Peyton & Gedas Gasparavicius

Film_still__crematoriumFilm still from "Crematorium: A Collaborative Self-Portrait", 1979

SEASON 4, EVENT 1

For a Season 4 opener, Rubicon Cinema is proud to present acclaimed filmmaker and visual artist JOSEPH BERNARD. The filmmaker will be present at the screening, introduce his work, and hold a Q&A.

Don't miss this unique opportunity!

When: Saturday, September 8, 8 pm

Where: Rubicon Cinema at the Blue Sky Studio, 943 Dopler Street, Akron OH 44303

 

JOSEPH BERNARD

Born in Port Chester, NY, Bernard was educated at the University of Hartford Art School and School of the Art Institute of Chicago, where he studied with Stan Brakhage. 

Now Professor Emeritus, Bernard taught fine arts at Detroit’s College for Creative Studies for 35 years. Experimental collage sensibilities are evident in his paintings, films and photographs. Contemporary poetry and music remain strong influences. His work is informed by travels to Provincetown, Southern California, Austin, Nashville and other locales. 

His films have been exhibited at Toronto’s Funnel Theatre, Detroit Institute of Arts, Chicago Filmmakers, Rutgers University, San Francisco Cinematheque, Ann Arbor Film Festival, Dartmouth College, Indiana University Cinema, Third Man Records in both Nashville & Detroit and NYC’s Museum of Modern Art, among others.

 

PROGRAM (prepared by J.B. for Rubicon Cinema)

Icon, digital transfer from Super 8 film, silent, color, 1978, 05:32 min

Exterior - Detroit snow storm; interior - intimate details of stencil letters through much single-frame shooting. Together they transition Bernard's painting tools and sensibilities into this early abstract film.

Crematorium: A Collaborative Self-Portrait, digital transfer from Super 8 film, silent, color, 1979, 08:16 min

Shot at a Bohemian crematorium outside Chicago, this ‘self-viewing at work’ film makes metaphoric reference to both the location and process of cremation as a ‘recording’ of the deed itself. 

Eye Reels, digital transfer from Super 8 film, silent, color, 1980, 16:17 min

An entangled meld of Celtic-flavored abstractions, home movies and an Irish dance fest, edited throughout with those very moves in mind. Fast shots and dense patterning echo those found in embroidery, lace, stone and metal work. They grow from the same language – in both calligraphy and sound. The tapestry-like interweave becomes the very fabric of this film.

Semblance: Frampton Brakhage Relation, digital transfer from Super 8 film, silent, color, 1981, 05:21 min

A simplistic analogy of obvious disparities of these two masters that the filmmaker concocted on the beach. A wonderful koan appears to join at mid-point.

Her Moves, digital transfer from Super 8 film, silent, color, b&w, 1985, 19:35 min

Interwoven footage of 12 female characters engaged in specific, physical activities – each filmed separately, throughout numerous east coast and Detroit locations, then edited into a collective dance of sorts. 

Full Circle (It’s Always Been Around), digital transfer from Super 8 film, silent, color, 1994, 14:56 min

Based on the title and a premise from Bernard's undergraduate thesis, this film is built on the experience of the first viewing of Brakhage’s Mothlight and the impact it had on the filmmaker. Tagged at the end with "4 SB," this film is an expression of sincere affection and regard. 

 

“To be an artist is not a matter of making paintings or objects at all. What we are dealing with is our state of consciousness and the shape of our perception.”

– Robert Irwin

Q_a_image

J.B. Q&A with audience and Rubicon Cinema Director, Tim Peyton. 

 

Bring your own beer, wine or snack.

Admission is free but we ask you to consider a $5-$10 donation.

Rubicon Cinema contact: rubiconakron@gmail.com

Facebook: https://www.facebook.com/rubiconakron

 

 

Posting #19

Posted on May 29, 2017

Activities Past, Present & Upcoming

Following are a number of miscellaneous events that have either just taken place or are about to, in various locations.

Eye_reels_04Film still from “Eye Reels”, 1980

 

My work was recently curated by Duo Strangloscope (Cláudia Cardenas & Rafael Schlichting) into Super-8 film festivals in Curitiba, Brazil and Valparaiso, Chile, 2017.

The spring issue (#3) of Found Footage Magazine, a printed film journal published in Spain (In both English & Spanish; César Ustarroz, Editor-in-Chief) reproduced a film still from “Eye Reels”, 1980.

Light Movement presented “The Outskirts of a Dreamed Map” — a James Edmonds / Petra Graf curated program, in Athens, Greece on May 26, 2017. My film “Drawings on Africa”, 1981, was included. For a full program of the show; click here.

Mike Gubbins, of Nashville, re-edited, added original music, moments of color and digital tiling to my b&w “The Function of Film”, 1982. It can be seen here on YouTube. 

“36 Love Letters to Super-8” is being published as a bi-lingual zine-book in conjunction with the 8th Annual Film Festival in  A Coruña, Spain, May 31 - June 4, 2017. I’m proud to have been invited to write one of those letters.

On June 3, 2017, the Oslo, Norway MUSIKKFEST will feature the work of composer/ musician Simon Gore. Among his compositions is the sound version of “White Film”, 1978, which will be screened that night.

 

 

Drawings_on_africaFilm still from “Drawings on Africa”, 1981

 

 

Posting #16

Posted on October 03, 2016

PRISMATIC MUSIC IN SPAIN!

Following recent group shows in London, England and Curitiba, Brazil, I'd like to share news of my third show in Spain -- a solo in the city of Santander at the Filmoteca De Cantabria. Below is their beautiful theatre. Additional information can be found on the blogs: Cineinfinito #4 and Experimental Cinema. My thanks to both Felix Garcia and Marcos Ortega for their inspired dedication to film and ongoing support of my work.

 

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