Joseph Bernard

Posting #22

Posted on December 22, 2018

 IMPERFECTIONS - an interview

Screen_shot_lowres

 

Early in October 2018, I received a request from a highly regarded, former student of mine, Scott Northrup, now teaching video classes in Detroit at the College for Creative Studies. He asked if a crew of his students could interview me as fulfillment for a short documentary assignment. I agreed and mid-month, met the five young filmmakers, each with a specific responsibility, at my home studio.  [Irish Jurvis; director, Jed Kogler; cinematography & edit, Maria Leenders; lighting, James Pyrce; sound recording, and Matt Pfeffer; interviewer]. Each also had to produce an edited personal version from all the gathered material, but only one would be judged best. This added a competitive real-world edge.

I was given permission to share the winning video, IMPERFECTIONS, by Jed Kogler, (one of his many accomplished works available on Vimeo, under the name, ‘Darxinema’). This brief, 3 1/2 minute portrait/interview compliments my own films through its rhythmic fluidity and compressed relationship - - and that is very much appreciated. It can be viewed by clicking here. Thank you Jed and crew! 

 

Posting #17

Posted on March 03, 2017

PRISMATIC MUSIC series of screenings closes in London

The final program of PRISMATIC MUSIC is scheduled for March 30, 2017 at CLOSE-UP FILM CENTRE in London, England. This show is under the auspices of Brand New Blinkers; co-founded by Jack Wormell and Andy Sowerby. 

 

Variant_chants_image

 

Over the past two years, these solo screenings have generated a positive response to the small, silent works in this Blu-ray collection. The scheduling and presentations have been uniquely curated for each venue with running times ranging between 70-90 minutes.

I’m grateful to the programmers in England, Spain and numerous American cities who’ve made these screenings possible, and of course to Jeffery Plansker, who brought this project into existence.

 

Posting #16

Posted on October 03, 2016

PRISMATIC MUSIC IN SPAIN!

Following recent group shows in London, England and Curitiba, Brazil, I'd like to share news of my third show in Spain -- a solo in the city of Santander at the Filmoteca De Cantabria. Below is their beautiful theatre. Additional information can be found on the blogs: Cineinfinito #4 and Experimental Cinema. My thanks to both Felix Garcia and Marcos Ortega for their inspired dedication to film and ongoing support of my work.

 

Image_localizacion_final_35_2014_10_30_11_38_23

 

 

Posting #15

Posted on September 01, 2016

This interview was conducted by Brittany Danielle Friesner on 3/11/16 at Indiana University Cinema in Bloomington, Indiana.

Click here for video interview

 

Iu_interview_blog_image_2

 

Published on August 30, 2016 by IU Cinema, this YouTube video interview was filmed in March 2016. Bernard's visit also included several other events and a public interview for the Jorgensen Guest Filmmaker Series. For more information about IU Cinema:  http://www.cinema.indiana.edu/ 

 

Posting #13

Posted on May 07, 2016

Third Man Records, here in Detroit, hosted a second screening of PRISMATIC MUSIC.

Post13_low_res 

Following the films on April 28, 2016, Greg Baise and I provided a Q&A, along with the audience.

 

Posting #12

Posted on April 24, 2016

 Light and Sound Machine: JOSEPH BERNARD: PRISMATIC MUSIC

Variant_chants_lowres

 

Presented by Third Man Records and the Belcourt Theatre 

Thursday, April 28, 2016 - Films at 8:00pm sharp (Doors at 7:00pm) - Tickets: $10

 

Third Man Records  |  Cass Corridor  |  441 W. Canfield, Detroit 

View Trailer (from Nashville show)

 

Posting #9

Posted on February 27, 2016

Joseph_bernard_reduced

                                  Text from poster:

Visual artist Joseph Bernard was born in Port Chester, N.Y., later educated at Hartford Art School and School of the Art Institute of Chicago, where he studied with experimental filmmaker Stan Brakhage. For 35 years, Professor Emeritus Bernard taught fine arts at Detroit’s College for Creative Studies. Abstract “collage” sensibilities are evident in his paintings, films, and photographs. Contemporary poetry and music remain as influences. His work is informed by travels to Provincetown, Southern California, Austin, and other locales. His films have been exhibited at Toronto’s Funnel Theatre, Detroit Institute of Arts, Chicago Filmmakers, San Francisco Cinematheque, Ann Arbor Film Festival, and the Museum of Modern Art, among others. This series is sponsored by The Media School, Underground Film Series, and IU Cinema.

Posting #7

Posted on November 21, 2015

Printed materials publicizing the 2015 screenings of PRISMATIC MUSIC following its premier at the College for Creative Studies, Detroit

 

Behind each public screening there are individuals who have made these events possible. A list of those who curated and hosted recent programs of my films would include Ben Gaydos (Professor UM-Flint and co-founder w/ Julia Yezbick of Mothlight Microcinema), Adam Lee Miller and Nicola Kuperus, Jodie Mack (Professor & Founder of EYEWASH at Dartmouth College), Monica Saviron, and Dr. Joshua Yumibe (Professor & Director of Film Studies at MSU). Each of these benefactors are artists themselves; that is, filmmakers, writers, musicians, painters, distinguished scholars. I'm extremely grateful for their advocacy and support. 

Upcoming - - An interview and a 90 minute/ 12-film program screening: PRISMATIC MUSIC at Indiana University Cinema (Underground Series) March 11, 2016.

 

Blogimage1_reduced

 

Blogimage2_reduced

 

Blogimage3_reduced

 

Blogimage4_reduced

 

Blogimage5_reduced

 

Monicasaviron_blog 

 

Blogimage7_reduces

 

Blogimage8_reduced

Posting #5

Posted on March 15, 2015

After close to three years of collective efforts, I’m proud to announce the impending completion and release of the remarkable, Blu-ray collection; PRISMATIC MUSIC: The Super 8 Films of Joseph Bernard

 

Re_prismaticmusiccover

 

This 40-film package, with a total running time of 5 hrs. 47 mins., includes a 24-page booklet with essays, film notes, historic documentation and images in color. The set itself is part of a series called, Beneath Detroit, a project by Jeffery Plansker, celebrating under-recognized area artists.

These films date back from the mid 1970’s to mid 80’s and all of them are purely visual and intentionally silent. There’ve been occasional screenings of selected titles, most recently at the 2014 52nd Ann Arbor Film Festival. Over 100 works were originally produced and although prints were made in both S-8 & 16mm, none were either in distribution or had been sold. Owning this collection will soon be possible. After the April 15th Premiere Screening & Release Event at the College for Creative Studies, in Detroit, the specifics for purchase will be available on this site.

About the set - - this particular digital 2K version will make the viewing of these films much more accessible in that the Blu-ray Disc (1920x1080p), dual-layer format is “Region/Code-Free”; playable throughout the world. It breathes new life into these small gauge, highly hand-crafted entities. The enclosed booklet’s essays are written by L.A. and NYC filmmakers, a director, a cinematographer and an architect. They provide valuable insight and access to the work. The menu treatment and overall packaging design has been fastidiously fine-tuned. 

Paramount to all of this, of course, is preservation. When film sits on a shelf in unstable conditions, the fragile combination of plastic, chemical emulsion and adhesive splices, (along with added elements of inks, bleach & tape) - - all rolled somewhat tightly against itself on spools - - risks deterioration. Extremes in temperature and humidity rapidly affect film’s properties. Two offers came to the rescue.

A few years ago Jeff Plansker proposed putting a group of my films onto a DVD set, along with a booklet of informational notes about them. Working with limitations in mind, the choosing of which titles would be saved was difficult. Each one was looked at numerous times on a hand-cranked viewer (my projector had been stolen), selections were made, every splice was tested, leaders & trailers replaced, relabeled, then all were cleaned and rejoined onto nineteen 400’ reels & cases. That original footage flew with me to Los Angeles where, at the Cinelicious (Hollywood) lab, all was digitally scanned, color graded shot-by-shot, then electronically filed. 

During the week overseeing this process, the lab’s owner called in Mark Toscano, the Film Preservationist/ archivist/ curator for the Academy Film Archive (Academy of Motion Picture Arts and Sciences). Mark looked at the films and made an offer to allow the totality of my work be perpetually preserved in the climate controlled vaults at the Academy. My original film & prints, while now in ideal safekeeping, are also available for scholarly study. 

With the release of PRISMATIC MUSIC, my old & fragile footage can now be viewed easily, repeatedly and in high definition, well into the future. The next plan is to explore venues to exhibit and distribute the films widely.

 

 

Posting #1; An Introduction

Posted on July 07, 2014

Resized_blog_image_copyPhoto: Jonathan Rajewski

 

This initial blog post is to welcome you to my website and to relay the purpose behind it. 

[To sift remnants of a life... to gather ‘driftings’ and make them stable, clear.]

 

The idea of designing a repository of personal images appealed to me. I had produced a good number of pictures and objects throughout my life, many of them with no documentation; some lost through unrecorded donations, sales and gifts or destroyed either by my hand (to ease in relocating) or by basement studio flooding.    

Then too, for years I produced paintings and bodyprints directly on sheet glass. They were heavy, fragile, highly impractical to ship. Lots of them were fatally damaged along the way. I’ve not been a diligent caretaker of past efforts, but then this “archive” may provide witness to that porous history.

Unfortunately, there are bodies of work that can’t be included because they were never documented or retained; (small sculpture, early paintings, all darkroom work, most graphic prints and drawings), or only sparsely so, like the paintings on glass and bodyprints. Some drawings and works on glass will be added eventually, if possible.

This is the beginning of a large project. So many more old 35mm slides have been scanned, which then have to be digitally formatted, categorized, resized and labeled. So much other work has yet to be photographed. The ongoing documentation process, and all that lies ahead, is quite daunting. Now, as archivist, I’m obliged to attempt cataloging the impossible, or at least make gestures in that direction. At present, that’s the plan.  

The following remnants are evidence of activities that, in fact, provided me an identity.

Paintings - But for a few early examples, these are all acrylic on wood (OSB) panel constructed to float 3/4” from the wall. Most have collage elements included. I hand-built the panels and the backs were treated to the same layers of paint and topcoat as the facing surfaces. This format and practice began when I was an undergraduate and continued until 2010, at which point I quit all painting and gallery involvements. (Note: Apologies for the quality level of early work reproductions; they obviously predate digital clarity.)  

Films - Dating from 1976-1985, these were all Super 8, silent, usually with a great deal of editing. They still occasionally get screenings, the most recent was a program in this year’s 52nd Ann Arbor Film Festival. Also this year, 40 of them were accepted into The Academy Film Archive in Hollywood, California for safekeeping and study. In the near future, this very same group of films will be released in a DVD format boxed set titled, Prismatic Music  The Super 8 Films of Joseph Bernard.  

Film Stills - Like selected words pulled from a poem, these single frames offer no (or very little) sense of the whole, yet may resonate with a projected 24th of a second DNA from that entity. Passing quickly from one to another, somewhat like flipping through random slides on a carousal projector, (which, of course, no one does anymore), these images become ‘un-possessed’; they provide a revised context, an incongruity in search of meaning, not unlike the thought process itself. This may have some indicators of my past filmmaking practices. 

Photographs - Another personal pursuit that began long ago and went through several permutations; prints, slides, sandwiched slides, photographic decals and collages. I now  continue to photograph only digitally. Unencumbered by justification, a few subcategories are included on the site and are broadly labeled by location only, without titles, sizes or dates.

I think art comes from the same place as any real discoveries; informed intuition,  without conscious introspection - - at least during the making. Now, much after the fact, this retrospective view allows for a clearer assessment of overlapping activities and their commingled relationships. It can bring order to what’s been achieved, also suggesting where it may lead. After decades of studio solitude, a public unveiling certainly has its anxieties. But then any self-portrait, any personal overview, any regathering of both additions and deletions inevitably gives shape to one’s life map, as it should. I intend to keep changing this website and, as it evolves, certainly welcome your feedback. 

 

Comments or questions:   joseph-bernard@sbcglobal.net