Joseph Bernard

Posting #13

Posted on May 07, 2016

Third Man Records, here in Detroit, hosted a second screening of PRISMATIC MUSIC.

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Following the films on April 28, 2016, Greg Baise and I provided a Q&A, along with the audience.

 

Posting #12

Posted on April 24, 2016

 Light and Sound Machine: JOSEPH BERNARD: PRISMATIC MUSIC

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Presented by Third Man Records and the Belcourt Theatre 

Thursday, April 28, 2016 - Films at 8:00pm sharp (Doors at 7:00pm) - Tickets: $10

 

Third Man Records  |  Cass Corridor  |  441 W. Canfield, Detroit 

View Trailer (from Nashville show)

 

Posting #11

Posted on April 02, 2016

 

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Light and Sound Machine: JOSEPH BERNARD: PRISMATIC MUSIC

Presented by Third Man Records and the Belcourt Theatre - Nashville

Tue, Apr 19 at 8:00pm (Doors at 7:00pm)

Location: The Blue Room at Third Man Records, 623 7th Ave South | Click here to see map
Tickets: $10 / $8 Belcourt Members | Click here to BUY TICKETS
 

Filmmaker Joseph Bernard will present his films in person, followed by a Q&A.

Joseph Bernard, a painter, mixed-media artist and former student of Stan Brakhage, made over 100 works on 8mm film over the course of just one decade (1975-85). Punctuated by an ever-shifting conceptual framework and Bernard's nomadic state of being, the films are kaleidoscopic abstractions of light and texture, as well as personal expressions and a mode of self-inquiry. They dually create an ethereal space while invoking the specific locale of their creation (Detroit, Chicago, New York, and the salty oceanfront of Provincetown, MA). In 1985, Bernard withdrew from filmmaking completely, frustrated by the cost of materials. As Phil Coldiron notes in a recent Cinema Scope feature on Bernard, "American experimental cinema is considerably poorer for both the brevity and obscurity of his career.”

Now, after three decades of purgatory, Bernard's films have been resurrected and are enjoying a second life. The original 8mm masters have been digitally scanned and restored, and are receiving overdue praise and exhibition across the country. Forty of them have been assembled in a stunning Blu-ray retrospective, titled PRISMATIC MUSIC. Bernard has selected several of his works to be exhibited in two thematically distinct programs for Third Man Record's Nashville and Detroit locations. The screenings each offer a unique lineup, prefaced by an introduction from Bernard himself.   - - James Cathcart                            View Trailer: (Joseph Bernard - PRISMATIC MUSIC on YouTube, made by Third Man Records)

 

Three Portraits:   

ANOTHER MIRROR (1977, 5:15 min.)

J.S.B. AT 9 (1978, 2:31 min.)

CREMATORIUM: A COLLABORATIVE SELF-PORTRAIT (1979, 8:17 min.)

Life, Love, Sex & Death:

IMPLICATIONS OF A TOTALITY (1979, 15:03 min.)

Inside the Idea of Film:

RITUAL (1979, 2:42 min.)

SPLICES FOR SHARITS (1980, 5:27 min.)

THE FUNCTION OF FILM (1982, 7:58 min.)

Extended Possibilities:

NIGHT MIX (1982, 10:52 min.)

FILM FOR UNTITLED VIEWER (1983, 2:36 min.)

VARIANT CHANTS (1983, 15:51 min.)

 

Posting #6

Posted on May 14, 2015

PRISMATIC MUSIC: THE SUPER 8 FILMS OF JOSEPH BERNARD, the 40-film Blu-ray set, is now available in the United States through Amazon and outside of the United States through eBay.

 

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All technical and historic information about the disc & booklet is already on the previous posting (#5) - - so here I’d like to thank everyone at CCS for the euphoric celebration and premiere of my films’ digital reincarnation. 

That gathering of friends, former students and colleagues was enormously gratifying. The events over those two evenings, beginning with Jeff Plansker’s live jazz & cocktails party at the Scarab Club benefiting the CCS Galleries, then the next night’s beautifully projected program of films, followed by a perfect dinner at Selden Standard graciously hosted by Michelle Perron and Rick Rogers, attended by a full complement of friends. Not a moment could have been improved upon!

Another pleasurable occurrence, an old friend, Bill Gubbins drove up from Nashville to see the films and be part of the festivities. We hadn’t seen each other for 33 years. Bill is an exceptional, idiosyncratic photographer and noted publishing editor on the contemporary music scene, among his other exploratory activities. He appears in two of my better films (one of them is dedicated to him), and I appear in several of his photographs. All this happened back in the early 1980‘s. Two of the above portraits (JB & camera, 1982) are his. To be fair to him, both images have been cropped and manipulated far from the originals for publication purposes. 

While recently in Nashville, we were introduced by Bill to some of his acquaintances at Jack White’s Third Man Records, The Frist Center for the Visual Arts, area galleries and a few fine restaurants. Our road trip continued on to Columbus where, through the help of Caroline Koebel, we met with faculty and curatorial staff of the Wexner Center for the Arts, Ohio State University. We talked broadly about independent film, its history and practitioners, the release of PRISMATIC MUSIC and academic venues that might provide programming possibilities.

Now that the digital version of the films has a public ‘storefront’ through Amazon and eBay, the mission will be to find audiences interested in something so singular as non-narrative, silent Super 8 films made almost 40 years ago with an obsessive commitment to light, color and movement.